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Matt and glossy ink for collagraphs
Combining matt and glossy ink in collagraph prints Collagraph prints are usually made on thick...
Matt and glossy ink for collagraphs
Combining matt and glossy ink in collagraph prints Collagraph prints are usually made on thick...
Make your own Plan Chest!
Do you get plan chest envy? Do you dream of lovely neatly labelled drawers full of smooth flat...
Preparing found materials for intaglio printing
“How could I print from that?”Was the question I asked myself when I found this...
Blind embossing with added texture
Blind embossing with added texture I love hearing from people who have used some of the ideas from...
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ALL POSTS
Matt and glossy ink for collagraphs
Combining matt and glossy ink in collagraph prints Collagraph prints are usually made on thick...
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Test printing a new collagraph plate
Test printing a new collagraph plate When I make a new plate I usually ink it up in at least 3...
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Blind embossing with added texture
Blind embossing with added texture I love hearing from people who have used some of the ideas from...
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Mixing neutral colours for printmaking
Colours change in relation to each other This post is about how to mix a range of neutral...
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Embossed prints with lino and glue
This months blog post shines a light on a little group of friends who meet up regularly to...
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Sticky tape for printmaking
Sticky tape is great for printmaking, particularly making collagraph plates, because it is instant...
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