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Matt and glossy ink for collagraphs
Combining matt and glossy ink in collagraph prints Collagraph prints are usually made on thick...
Matt and glossy ink for collagraphs
Combining matt and glossy ink in collagraph prints Collagraph prints are usually made on thick...
A rough guide to press blankets
In this post I want to get you to think about press blankets; take a fresh look at these familiar...
Preparing found materials for intaglio printing
“How could I print from that?”Was the question I asked myself when I found this...
A collaborative printmaking project
A collaborative print project Last year a small group of five printmakers decided to get together...
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ALL POSTS
A collaborative printmaking project
A collaborative print project Last year a small group of five printmakers decided to get together...
Read More
A rough guide to press blankets
In this post I want to get you to think about press blankets; take a fresh look at these familiar...
Read More
Matt and glossy ink for collagraphs
Combining matt and glossy ink in collagraph prints Collagraph prints are usually made on thick...
Read More
Test printing a new collagraph plate
Test printing a new collagraph plate When I make a new plate I usually ink it up in at least 3...
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Blind embossing with added texture
Blind embossing with added texture I love hearing from people who have used some of the ideas from...
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Mixing neutral colours for printmaking
Colours change in relation to each other This post is about how to mix a range of neutral...
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