In this post I am aiming to help you feel more confident about deciding on a price for your original prints.
I have a quick handy method to check that I am thinking on the right lines with pricing. It works as an initial guide to provide a base line and can be tweaked as needed, taking some of the guesswork out of pricing your original prints.
its not just about technique and special effects; the role of design is to help organise all this material, bringing it together in a coherent way, and enabling you to express and share your ideas in a print.
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Visiting Moulin du Verger for a conversation with Jaques Brejoux, (with my pretty rusty French and his pretty good English) felt like stepping back several centuries to a time when the master paper maker was an artist in his own right.
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This post will help you develop your own tonal colour palette for more subtle colour schemes with just a couple of inks
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Beloved – the story of a print I want to share the creative process of making my recent piece...
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Look for a place where spiders like to make webs. This should be in the open, and somewhere where you can reach the web from both sides. This could be between the legs of a table, or along a fence; they like to use the uprights and cross pieces to anchor the web.
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