Printing with tonal colour
An exercise to help develop colour confidence People often arrive for courses saying they want to...
Read MorePosted by Emily Harvey | Inks, Mono printing
An exercise to help develop colour confidence People often arrive for courses saying they want to...
Read MorePosted by Emily Harvey | Materials, Mono printing
In this post I will show you how to use clingfilm to transfer images to paper without a press. We...
Read MorePosted by Emily Harvey | Inspiration
Why trap your prints behind glass? Are they desiccated museum exhibits forever fixed in time?
‘A print that moves’ is part of my investigation into making prints that live outside the frame.
In this post I want to share some of my current work with you
Posted by Emily Harvey | Inks, Materials
People are often confused by the difference between transparent ink and linseed oil, and how these two elements affect your inks for printmaking.
Read MorePosted by Emily | Metallics, Techniques
It is a well known fact that we humans love shiny things. Mica has provided us with glitz since...
Read MorePosted by Emily | Collagraphs, Inks, Techniques
White ink has an interesting effect on your collagraph prints
It is hard to say exactly what has happened, but there is a distinct and positive improvement in the print, a bit like the way someone looks when they come back from holiday. Your print has more substance, more energy, and more clarity.
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