Sometimes it’s not practical to fit everything onto one printing plate!
I am going to explain why I decided to use two plates for this collagraph print and how I worked out the process of designing and constructing the printing plates.
This post will help you develop your own tonal colour palette for more subtle colour schemes with just a couple of inks
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An exercise to help develop colour confidence People often arrive for courses saying they want to...
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In this post I will show you how to use clingfilm to transfer images to paper without a press. We...
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Why trap your prints behind glass? Are they desiccated museum exhibits forever fixed in time?
‘A print that moves’ is part of my investigation into making prints that live outside the frame.
In this post I want to share some of my current work with you
People are often confused by the difference between transparent ink and linseed oil, and how these two elements affect your inks for printmaking.
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