In this post I am taking another look at blind embossing and asking the question ‘what is the key...Read More
Tag: combined techniques
Sometimes it’s not practical to fit everything onto one printing plate!
I am going to explain why I decided to use two plates for this collagraph print and how I worked out the process of designing and constructing the printing plates.
Why trap your prints behind glass? Are they desiccated museum exhibits forever fixed in time?
‘A print that moves’ is part of my investigation into making prints that live outside the frame.
In this post I want to share some of my current work with you
Combining collagraphs and mono-prints is a lovely versatile technique that I have used several times in community workshops. It works so well because it is easy to understand and people quickly get satisfying results. There is also plenty of scope for development so people with more printmaking experience enjoy playing with the two techniques together.Read More
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