Burning collagraph plates introduces exciting random and organic methods to your platemaking. I love this technique as you give up a certain amount of control and allow your materials to guide your creative process.
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A different approach to fabric printing
Traditional fabric printing is usually a relief process (think potato prints or block prints) or else it is screen printed. For collagraphs we will be using intaglio and relief methods combined to produce complex detailed and textured prints.
White ink has an interesting effect on your collagraph prints
It is hard to say exactly what has happened, but there is a distinct and positive improvement in the print, a bit like the way someone looks when they come back from holiday. Your print has more substance, more energy, and more clarity.
Mono printing on plaster is an exciting and magical process for all ages, and with some help even very young children can make lovely prints using this method. You can create prints like tiles that will stand up on their own, or can easily be hung on the wall. With the bright clear colours and detailed patterns, people will wonder how you made these unique tiles.
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If you are looking for a printmaking activity that is quick, exciting, totally absorbing and completely addictive, you have come to the right place! Mono printing moire patterns will keep you (and your printmaking frieinds) busy for many happy hours.
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Chine collee is an exciting and versatile technique for adding extra layers of colour, text and...
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