Artists making etched lino prints
Here are three artists who’s etched lino prints I like and find inspiring.
I have chosen three prints from each artist; follow the links to see more work and be inspired……
Read MorePosted by Emily Harvey | artists prints, Etching, Lino, Techniques
Here are three artists who’s etched lino prints I like and find inspiring.
I have chosen three prints from each artist; follow the links to see more work and be inspired……
Read MorePosted by Emily Harvey | Etching, Materials
Caustic soda is a powerful chemical that works really well for etching lino. Like many useful substances it also comes with dangers, but if you plan your work space, understand the risks, and use it carefully it will enable you to create beautiful textured lino plates.
Read MorePosted by Emily Harvey | Etching, Lino, Techniques
Being rather impatient I struggle with the length of time it takes to cut detailed lino plates. Lino etching on the other hand, is relatively quick. You discover unpredictable lines and textures that are very exciting. The effect doesn’t resemble traditionally cut lino but you can add cut marks to the etched plates.
Read MorePosted by Emily Harvey | Materials
I have been experimenting with using flexible clear pvc as a relief printing plate. So far it seems to be a great material that makes all parts of the process from transferring original designs to registering plates much easier. Lino printing is not my main technique so I may have missed something – but I’d say clear pvc printing plates are definitely worth a go if youhave never tried them.
Read MorePosted by Emily Harvey | Materials
Nowadays the shellac you come across is usually in a nail bar. Here we are looking at a different material – the original shellac. Find out why this is a really useful varnish and sealant for printmakers, particularly when making collagraph plates.
Read MorePosted by Emily Harvey | Ink, Techniques, Viscosity
Viscosity printing is a subtle technique with the potential for endless variations, it can completely change the prints you get from a plate and lead you into new and untried colour combinations, in fact you will find that combinations you would never think of using actually work very well in the viscosity method.
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